UNEARTHING WHILE SPACED OUT
Election Day, 2024
35 x 35 inches Oil, Acrylic, Pastel, Graphite & Photographs on Canvas 
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This is What I Get
34 x 36 inches
Oil, Acrylic, Pastel & Photographs on Canvas
34 x 36 inches
Oil, Acrylic, Pastel & Photographs on Canvas
|
I Looked for You Every Time We Drove By
120 Film 2024 |
I Cast the Line Through the Shadows and It Landed on These Places
40 x 40 inches
Oil, Acrylic, Pastel & Photographs on Canvas
40 x 40 inches
Oil, Acrylic, Pastel & Photographs on Canvas
The Wreckage You Left Us With
120 Film
2024
120 Film
2024
Unearthing While Spaced Out is a body of mixed media painting, sculptural collage and photographic work that explores tensions between presence and absence, longing and restraint. Through layered textures, fragmented imagery, and shifting perspectives among liminal spaces, I seek to fragment boundaries of time and space, evoking a sense of disorientation and excavation.
Themes of escape run through my work—urges to transcend physical or emotional confines, or an unraveling of the structures that often hold women in place. Using collage-like compositions, unexpected juxtapositions, and atmospheric distortions, I create visual spaces that exist between the tangible and the ephemeral.
Lyrical photographs taken on medium format film serve as windows into our intricate relationships with ourselves, portraying intimate moments suspended in time and ordinary spaces of comfort that embrace our being. This work delves into the enigma of presence, challenging the notion that we experience time as a linear progression. Meditative glimpses of spaces, found objects in nature and people remind us that within the tapestry of our existence, we can pause to quiet our minds or allow ourselves to get lost in unearthing our subconscious while spaced out.
By engaging with materials in an intuitive yet deliberate way, I aim to capture fleeting moments of transition—the tension of being on the edge of departure, the weight of memory pressing against the present, the uncertainty of what lies beyond or whether or not I will one day remember who I was.
Themes of escape run through my work—urges to transcend physical or emotional confines, or an unraveling of the structures that often hold women in place. Using collage-like compositions, unexpected juxtapositions, and atmospheric distortions, I create visual spaces that exist between the tangible and the ephemeral.
Lyrical photographs taken on medium format film serve as windows into our intricate relationships with ourselves, portraying intimate moments suspended in time and ordinary spaces of comfort that embrace our being. This work delves into the enigma of presence, challenging the notion that we experience time as a linear progression. Meditative glimpses of spaces, found objects in nature and people remind us that within the tapestry of our existence, we can pause to quiet our minds or allow ourselves to get lost in unearthing our subconscious while spaced out.
By engaging with materials in an intuitive yet deliberate way, I aim to capture fleeting moments of transition—the tension of being on the edge of departure, the weight of memory pressing against the present, the uncertainty of what lies beyond or whether or not I will one day remember who I was.
I Carry You and Every Part of Everything Until the End
24 x 36 inches
Oil, Acrylic, Pastel & Photographs on Paper
24 x 36 inches
Oil, Acrylic, Pastel & Photographs on Paper
Quiet
120 Film
2024
120 Film
2024
You Should Really Go Back to Therapy
18 x 48 inches
Oil, Acrylic, Pastel & Photographs on Paper
18 x 48 inches
Oil, Acrylic, Pastel & Photographs on Paper
We Never Made it Back
120 Film
2024
120 Film
2024
Was Going to Soften, but I Changed My Mind
16 x 16 inches
Oil, Acrylic, Pastel & Photographs on Canvas
16 x 16 inches
Oil, Acrylic, Pastel & Photographs on Canvas
Trading Post
120 Film
2024
120 Film
2024
Untitled
Acrylic, Silver Gelatin Prints and Charcoal on Ceramic
2025
Acrylic, Silver Gelatin Prints and Charcoal on Ceramic
2025